Jacques Marie Mage EPOXY II: Yves in Smoke – a style icon with the soul of an artist. For those who seek a combination of French elegance and Japanese craftsmanship – in a setting that is as unique as it is timeless.
Limited edition: 300 pieces worldwide
Model Yves from the collection Epoxy II is a reinterpretation of one of the most iconic settings Jacques Marie Mage, where classic style meets Japanese craftsmanship and French sophistication. Inspired by the world of 1970s haute couture, this model has been revamped as part of a unique collection. Epoxy, combining precision engineering with subtle brilliance Japanese craftsmanship Echizen lacquerware – a technique known for its timeless shine and perfect execution.
Version Smoked is a sophisticated interpretation of elegance – a black, polished frame with transparent outer layers and metallic accents in a palladium silver shade. Characteristic solid silver rivets z hand-painted black epoxy inserts and exposed, engraved temple cores with a „baguette” pattern” are a unique feature of this edition.
The whole is complemented by hand-engraved 7-joint hinges, signature spur-shaped rivets, and Armorlite lenses in Nimbus colour with anti-reflective coating on the inside – ensuring crystal clarity and protection against glare.
Technical details:
Material: 10 mm hardened vegetable acetate, handcrafted in Japan
Colour: Fumée (black polished with transparent elements)
Details:
Solid silver arrow pins with black epoxy inserts
Engraved 7-barrel hinges in silver palladium colour
Exposed baguette-patterned wires, plated in silver palladium
Signature spur-shaped rivets
Silver-coloured internal embossing
Lenses: Armorlite 4-base Nimbus, with anti-reflective coating on the inside
Limited edition: 300 pieces
Included: Case, cleaning cloth and certificate of authenticity
Jacques Marie Mage EPOXY II: Yves in Smoke – a style icon with the soul of an artist. For those who seek a combination of French elegance and Japanese craftsmanship – in a setting that is as unique as it is timeless.
